(Source: eccojamming, via choicekingdom)

Untitled Poem (Rough Draft)

I-

I venture through empty crowds day after day and as every object passes, the next seems all the more irrelevant than the last. Colors that I once found in this world have turned grey and the blurs around me fade into mediocrity. The uninhabited streets of interest are that of shame and lost hope, and that grey blur that I so despised has become one with me, and so I become one with nothing, and am turned from a sign of youth into another expressionless face to create blankness in others. Furthermore seeping into the dimness of this distorted world. Change would mean my life. My life would mean nothing to anyone.

II-

Something came to me in my empty stage. Neither a light nor a color, but a beautiful mixture of both. Suddenly I was something again, myself in a new way. The people who once passed me with nothing to say, were no longer merely objects. The foreboding nature of this grim world was turned on its side by you.

Tags: poetry

One of us! One of us!

(Source: slashfilms, via choicekingdom)


Une femme est une femme (1961)

Une femme est une femme (1961)

(Source: bunnyhepburn, via anna---karina)

drinkingdownthepoison:

Wes Anderson, Rushmore, 1998

(via billhaderfanclub)


Jean-Baptiste Greuze, Portrait of a Girl (Detail), 18th Century

Jean-Baptiste Greuze, Portrait of a Girl (Detail), 18th Century

(Source: greuze, via posthawk)

andywarhol-art:

The Souper, 1965
Andy Warhol

andywarhol-art:

The Souper, 1965

Andy Warhol

"Your soul has fallen to bits and pieces. Good. Rearrange them to suit yourself."

— Hermann Hesse, Steppenwolf (via blarrfengarr)

(via posthawk)

Robert De Niro in Taxi Driver (1976).

Ryan Gosling in Drive (2011).

(Source: , via posthawk)

(Source: scanis, via choicekingdom)

fox-party:

Ghost art by Taraneh Azar

fox-party:

Ghost art by Taraneh Azar

(via choicekingdom)

wannabeanimator:

The Incredibles (2004) character design

(Source: floobynooby.blogspot.de, via mymetalgearisrising)

sans-soleil:

Elephant (dir. Gus Van Sant — 2003)

(via posthawk)

heidisaman:

"My car’s my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side. We don’t look at each other, but instead do so only when we want to. We’re allowed to look around without appearing rude. We have a big screen in front of us and side views. Silence doesn’t seem heavy or difficult. Nobody serves anybody. And many other aspects. One most important thing is that it transports us from one place to another."

— Abbas Kiarostami

Stills from Certified Copy (2010) and Like Someone in Love (2012)

(via criterioncollection)